Moe Satt is a visual and performance artist whose practice uses the body to explore identity, perception, and political resistance. He has developed a vocabulary of hand gestures and minimal actions to reflect on social and political tensions in Myanmar. The artist’s own body emerges as a consistent feature throughout his oeuvre, becoming a site for expression and dissent. In recent years, he has increasingly collaborated with other performers while involving audiences in live performances. Moe Satt positions the body as an entity that is both singular and shared, reflecting on personal and collective histories.