This newly commissioned project by Moe Satt expands gesture into a collective language through performance, photography, and sculpture. Developed through workshops with dancers from Busan, the project centers on 108 combinations of facial and hand gestures presented across photographic installations, sculptural works, and live performance. Incorporating the perspectives of male, female, and queer participants, it investigates embodiment, intimacy, resistance, and collective expression, while the participation of the artist and his son highlights intergenerational transmission and shared experience.