R.I.P. Germain’s practice is anti-didactic, sitting instead in a baggy space of iteration, loose attempts at classification, description and discussion that remain resistant to comfortable moral certainties, or stable meanings and values. Demonstrating an application of the tools and logics of artmaking, and the development of a visual language applied to topics that are routinely flattened – whether it is to glamorize or demonize – R.I.P. Germain seeks to unpick and analyze, and provide some cognitive space around the hyperobjects of Black culture.